Step Behind The Stage
Frankie Goes To Bollywood
New Theatre, Peterborough - 06/05/2026
Review by Daniel Marshall

Photo Credit: Richard Lakos
For the past 25 years Rifco Theatre Company has been a trailblazing showcase for British South Asian Talent through its multitude of musicals and plays. One of their most current productions, Frankie Goes to Bollywood, has arrived at Peterborough’s New Theatre this week until Saturday 9th May, and brings a dazzling exploration of culture and identity against the backdrop of glamorous and complicated Bollywood.
The musical follows Frankie, a young British woman whose life swiftly changes when she leaves behind her quiet existence in Huddersfield for the spectacle and excess of Indian cinema. Blending English language dialogue and song with occasional playback singing, a knowing nod to Bollywood tradition, the show covers every emotional base. With a soundtrack by Niraj Chang and Tasha Taylor Johnson, the show intertwines upbeat numbers bursting with energy, soulful ballads, and some wonderfully flamboyant standout numbers. All this is grounded in a cultural identity that feels both authentic for those familiar with Bollywood as well as accessible for newcomers to this world.
Leading the story is Frankie, portrayed by the impressively assured Sarah Pearson. Her arc from cinema usher to superstar captures not only the awe and wonder of fame, but also the suffering and compromise that so often comes with it. Pearson navigates this rollercoaster with confidence, feeling believable in the leading role. Equally impressive is Katie Stasi’s Goldy, a warm and wholly engaging presence whose initial comedic charm soon gives way to stellar vocals and genuinely moving emotional delivery. She provides a real grounding force that stands out against the larger than life production.
Other notable performances include Ankur Sabharwal's Raju King, a brilliant antagonist who embodies the very worst of Bollywood whilst still managing to add to the show’s entertainment throughout. Recognising that he is to be laughed at rather than with, Sabharwal relishes in every moment on stage. Likewise, Luke Suri's Shona is an absolute scene-stealer, bringing a camp charisma and razor-sharp wit whenever he is present. As cliché as it sounds, the entire cast really shined throughout and what was abundantly clear was how much they enjoy bringing this show to life. Furthering this was the movement direction of Andy Kumar and stellar choreography of Assistant Choreographer and Dance Captain Anna Maria Barber, which provided the ensemble constant opportunities to showcase their talent with spectacular Bollywood-inspired sequences.

Photo Credit: Richard Lakos
The production is a visually stunning from the moment it begins. Rebecca Bower's set design draws on the grandeur of traditional Indian architecture, providing a striking framework that depicts the journey from the everyday world of England to the larger-than-life spectacle of Bollywood under one temple-like design. Alongside his choreography, Andy Kumar's costume design is equally stunning. One particularly innovative moment sees the costumes themselves become the scenery with beautifully designed sari’s float as backdrops for the characters. Both the set and costume are well complemented by Philip Gladwell's lighting design, bathing the stage in vivid colour throughout, perfectly complementing the world the production inhabits.
Amongst the bright lights and high energy, Frankie Goes to Bollywood still manages to address misogyny and exploitation within the Bollywood industry. Pravesh Kumar’s book tackles these themes with care, never allowing the commentary to become heavy-handed while ensuring it still lands with real weight. The cultural comedy feels celebratory rather than reductive, sitting naturally alongside moments of genuine drama and heart. The physical comedy throughout is also superb, generating some of the biggest laughs of the night.
All of the story, song, and dance climaxes in a joy-filled megamix finale that once more showcases not only the passion of the cast, but the sheer joy they clearly have performing this saga. That infectious energy spreads throughout the audience, leaving them grinning from ear to ear. Frankie Goes to Bollywood is a bold, vibrant and thoroughly entertaining piece of theatre that celebrates identity and culture with spectacle, heart and an irresistible energy.
Cast on the Night:
Sarah Pearson – Frankie
Akshay Datta – Prem
Meher Pavri – Malika & Maa
Ankur Sabharwal – Raju King
Katie Stasi – Goldy & Mummy
Luke Suri – Shona
Tash Bacarese-Hamilton – Ensemble
Anna Maria Barber – Rosie, Ensemble, Dance Captain & Assistant Choreographer
Harry Brooks – Ensemble
Elinor Hallet – Young Frankie & Ensemble
Kiran Kaanan – Timmy Anand & Ensemble
Marina Lawrence-Mahrra – Swing
Neelam Rajni – Mandy & Ensemble
Dhruv Ravi – Hasmukh Bhai & Ensemble
Aron Rhode – Ensemble
