Step Behind The Stage
The Olive Boy
Southwark Playhouse, London - 16/01/26
Review by Alex King
Photo Credit: John Blitcliffe
Ollie Maddigan's debut piece was first seen at the Hope Theatre in 2021 and, following an incredible Edinburgh Fringe run and a national tour, has arrived at Southwark Playhouse until the end of January.
The deeply personal play follows the title character, also played by Maddigan, as he recounts a period in his life when his world was completely upended. Following the unexpected passing of his mum, he moves in with his dad and faces a wave of new people and places while processing the unbearable loss he has suffered.
Based on his own life, Ollie Maddigan is phenomenal in both his writing and performance as The Olive Boy. Sharing such a personal story with an entire audience takes great strength, but to do so compellingly requires a special kind of talent and heart. While portraying the fifteen-year-old, he is wholly believable, feeling so familiar to my own time at school. I could clearly identify with his versions of 'Jake', 'Science Girl', and 'Geeky Girl'. The relatability draws you in while firmly remaining his own tale. The crude, overly explicit, and confidence-fuelled dialogue often common among pubescent teenagers serves a bigger purpose here than just laughs or cringe moments. Maddigan uses it smartly to convey the deep insecurities and denial many teenagers face, and it is in the moments where the mask slips that he truly shines as both an actor and writer.
Photo Credit: John Blitcliffe
Throughout the play, we get insight into his true feelings, and in these moments we glimpse the unbearable grief the Olive Boy holds so tightly, refusing to let anyone see it. It is painful in the most sympathetic way. Grief is universal, and even in someone else’s story, we relate to the pain it causes, which Maddigan portrays beautifully.
Maddigan's work is supported by strong direction from Scott Le Crass and sharp lighting by Adam Jefferys. Le Crass utilises Maddigan’s impressive physicality to great effect, creating a space where the audience is fully immersed in the world of the play. Similarly, Jefferys’ use of neon light tubes brings scenes such as a party to life while also introducing a striking green flash that recurs throughout the production.
It is easy to see why The Olive Boy has received so much attention and praise. Maddigan’s vulnerability and comedic skill are magnetic, earning a standing ovation that is more than deserved. Beyond that, the play tells a true story everyone could benefit from hearing—a reminder to treasure what we have and that losing someone doesn’t always mean they’re gone.