Review: 9 to 5 the Musical (Peterborough New Theatre)

Step Behind The Stage

9 to 5 the Musical

New Theatre, Peterborough - 08/07/2026
Review by Alex King

Photo Credit: Matt Crockett

Dolly Parton's iconic comedy that celebrates the frequently pined desire to give bosses a taste of their own medicine first came to the stage in 2008 and now the workplace musical is touring the UK once again in a new production directed by Paul Jepson, kicking off its tour at Peterborough's New Theatre. Following three women who exact revenge on their misogynistic boss, 9 to 5 has long been recognised for its focus on sexism, women's rights and workplace dynamics that even in a film from 1980 still holds a remarkably relevant magnifying glass to modern day environments.

Against Amanda Stoodley's set design that captures the starkly corporate office aesthetic of the 1970s while still bringing real character to the space, 9 to 5's company take the audience through the hustle and bustle of Consolidated Industries through the eyes of our three leads: the naïve but headstrong Judy, the smart and experienced Violet and the warm-hearted Doralee. Each of the three characters provide a unique insight into the workplace environment and their conversations with one another provide much of the commentary throughout. With the book written by one of the film's co-writers Patricia Resnick, it should come as no surprise that the script is full of references and observations that made the original film such a favourite. As a comedy the jokes are solid, with a mix of visual and verbal laughs throughout that give the story a much-needed lift from the frustrating despair the characters experience. On the more serious beats, Resnick delivers some stellar lines that stick with you as damning statements of the sexism of the time, culminating in a defiant climax of the show.

After an introduction from Dolly herself via recorded audio, we jump straight into the titular song with the cast accompanied by Parton in singing. Right off the bat Paul Jepson sprinkles in reflections on the show's themes. While the morning routine is being depicted and the men are still in their nightwear, the women are already dressed and ready for the day. Lisa Stevens' choreography is exciting from the very first number and is one of the highlights throughout the production. The sharpness of the movements feels evocative of the fast-paced business world, threatening to leave you behind if you can't keep up. One of the best examples of Stevens' work is in Act 2 with the dream sequence number 'One of the Boys', which flows through various dance styles and results in a highly entertaining performance.

Photo Credit: Matt Crockett

The company is made up of very talented performers who give everything to their roles. Taking on the primary parts are Kayla Carter, Jade Marvin and Karla Tracey as Judy, Violet and Doralee respectively. Their performances over the course of the story represent the developing dynamics between the characters neatly which results in feeling believable. Carter as newcomer Judy shows a sweet optimism initially that gets transformed over time, resulting in a strong solo with 'Get Out and Stay Out' that showcases her ability as both actor and singer. As Violet, Marvin delivers a humorous and quick-witted performance as a widowed mother whose frustration over being overlooked provides a strong emotional backbone for the trio. Her fantastic vocal talents elevate her performance even further throughout the musical numbers. Last but not least is Karla Tracey as the Dolly Parton-esque Doralee. Initially seen as the office's pretty woman and maligned for allegedly sleeping with the boss, Tracey performs a nuanced character that goes far beyond surface level charm and arguably has the most wholesome story of the three leads. Her southern drawl works in having the audience warm to her and carries through to her Parton-inspired singing without ever feeling like an impression.

As the boss of the company, Tim Rogers takes on Franklin Hart Junior. A gross, sexist and crass man, it can be difficult to watch a character like this, however Rogers' performance is balanced enough to prevent it from becoming unenjoyable. He portrays Hart as a pathetic and insecure man, which allows the many faults of the character to function as a suitable antagonist for the women rather than a damper on the narrative.

The rest of the cast are all excellent, with Jessica Martin as Roz and Ceris Hine as Margaret being particularly wonderful additions. 9 to 5's music, also written by Parton, is simple and light which makes for a very consumable musical and time flew by quickly.

On the surface, 9 to 5 may seem to be a farcical workplace comedy about an evil boss and revenge, but if you are willing to dig a little deeper you will find a story laced with the true history of women in the workplace. The title itself comes from an organisation called 9to5, founded in 1973 to advocate for women's rights in work environments, a group recognised at the end of the show with a poster honouring them. Dolly Parton's musical has stood the test of time and remains an enjoyable and thought-provoking night out at the theatre.


Cast on the Night:

Kayla Carter – Judy
Jade Marvin – Violet
Karla Tracey – Doralee
Tim Rogers – Franklin Hart Jr.
Jessica Martin – Roz
Ceris Hine – Margaret
Jamie Chidzey – Ensemble
Sammy Graham – Kathy
Bradley Judge – Dwayne, Detective & Tinsworthy
Benjamin Karran – Joe
Colin Kiyani – Bob, Dick & Doctor
Alicia Mencía – Maria
Ashley St John – Ensemble & Dance Captain
Rodney Vubya – Josh
Jemima-Jane Willcox – Missy & Candystriper
Beth Woodcock – Ensemble

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